Winston Churchill is quoted as saying this about painting:
We must not be too ambitious. We cannot aspire to masterpieces. We may content ourselves with a joy ride in a paint box. And, for this, Audacity is the only ticket.
For me, once I pick up a brush it’s hard to accept failure. And I know how egotistical that is. Especially considering I’m a “Sunday painter” at best, a vacation painter at worst. All skills require keeping one’s hands busy at that skill, so to that end I’ve become a facilitator at the Senior Center in my town. The first three Wednesdays, for two hours “recalcitrant” watercolorists are coming together and getting back in the painting game. Absolute beginners are also welcome to sign up for instruction in the very friendliest medium, opaque watercolor.
I have been searching for an alternative to oil paints for a while, not because I don’t lo-o-ove the smell and feel of the paint and turpentine and all. It’s the wet work in transit and drying-time storage that are the problems. Two years ago I believed I had the answer: super thin glazes with lots and lots of drier…then I tried the H2O kind. Both still took months to dry sufficiently. I even “invested” in a couple of egg tempera colors before giving up the Dream and going back to my watercolors (18 colors of transparent Winsor/Newton and Pelikan 12-color opaque tablets.
Since the latter allows for such great layering I began to wonder about the fully liquid tempera. So…I recently bought the three mixing-Primaries, along with a true-blue (vs. Cyan), brown, and white. Didn’t bother with Black; I virtually never use it in any other watercolor work, and besides, a neutral brown + blue = close-enough-to-black.
Check out the experiments in audaciousness below, using Dick Blick Premium liquid tempera.